Excerpts from “The Fault in Our Stars” by John Green
Excerpts from “The Fault in Our Stars”
by John Green
You are so busy being you that you have no idea how utterly
unprecedented you are.
•
“I’m in love with you,” he said quietly. “I am,” he said. He was staring at me, and I could see the corners of his eyes crinkling. “I’m in love with you, and I’m not in the business of denying myself the simple pleasure of saying true things. I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have, and I am in love with you.
•
You don’t get to choose if you get hurt in this world...but you do have some say in who hurts you. I like my choices.
•
There will come a time when all of us are dead. All of us. There will come a time when there are no human beings remaining to remember that anyone ever existed or that our species ever did anything. There will be no one left to remember Aristotle or Cleopatra, let alone you. Everything that we did and built and wrote and thought and discovered will be forgotten and all of this will have been for naught. Maybe that time is coming soon and maybe it is millions of years away, but even if we survive the collapse of our sun, we will not survive forever. There was time before organisms experienced consciousness, and there will be time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows that’s what everyone else does.
•
He told me again that he was sorry about Gus, and then we went back to watching the show, and the people picked a house, and Dad still had his arm around me, and I was kinda starting to fall asleep, but I didn’t want to go to bed, and then Dad said, “You know what I believe? I remember in college I was taking this math class, this really great math class taught by this tiny old woman. She was talking about fast Fourier transforms and she stopped midsentence and said, ‘Sometimes it seems the universe wants to be noticed.’ That’s what I believe. I believe the universe wants to be noticed. I think the universe is improbably biased toward consciousness, that it rewards intelligence in part because the universe enjoys its elegance being observed. And who am I, living in the middle of history, to tell the universe that it— or my observation of it—is temporary?
•
“Without pain, how could we know joy?’ This is an old argument in the field of thinking about suffering and its stupidity and lack of sophistication could be plumbed for centuries but suffice it to say that the existence of broccoli does not, in any way, affect the taste of chocolate.
•
The pleasure of remembering had been taken from me, because there was no longer anyone to remember with. It felt like losing your co-rememberer meant losing the memory itself, as if the things we’d done were less real and important than they had been hours before.
•
But it is the nature of stars to cross, and never was Shakespeare more wrong than when he has Cassius note, ‘The fault, dear Brutus, is not in our stars / But in ourselves.”
•
When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I’d been asked this question hundreds of times over the years, and I remember once early on when I couldn’t get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn’t even speak, so I held up nine fingers.
Later, after they’d given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, “You know how I know you’re a fighter? You called a ten a nine.” But that wasn’t quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
•
“There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I’m likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn’t trade it for the world. You gave me a forever within the numbered days, and I’m grateful.”
I finished this book and then I sobbed so hard over it that I sobbed until I started laughing at how ridiculous I was being, but I loved crying over this book — the prose was worth it for the infinity of things it talks about.
John Green's The Fault in Our Stars (Dutton Books, 2012) became one of the foundational mortality texts for a generation of young readers — selling over twenty million copies, spawning a 2014 film, and shaping how millennial and Gen Z readers think about cancer, love, and the brevity of life. The novel is a young-adult love story between two teenagers with cancer, Hazel Grace Lancaster and Augustus Waters, told in Hazel's voice. Green spent five months as a chaplain-in-training at a children's hospital in his early twenties, and the novel emerged from that pastoral work and from his sustained reading of mortality literature.
